尾池亜美 Ensemble FOVE ZINGARO!!!

ともやん

5年前

ããã«ã¡ã¯ã &NewLine;ã¨ãããã§ãã&NewLine;ZINGARO(ãã£ã³ã¬ã)ã¨ã¯ï¼&NewLine;<blockquote>è±èªã§ã¯ï¼ã¤ã¸ãã·ã£ã³Egyptian(ã¨ã¸ããäºº)ãã¤ã¾ã£ãã¸ãã·ã¼ï¼ãã©ã³ã¹èªã§ã¯ã¸ã¿ã³gitanï¼ã¹ãã¤ã³èªã§ã¯ãã¿ãgitanoã¨å¼ãã§ãããï¼ããããï¼å½¼ããã¨ã¸ããããæ¥ãï¼ã¨èãããããã¨ãç¤ºãã¦ããããã©ã³ã¹èªã§ã¯ï¼ãã¨ãã¢ã³bohemien(ãããã¢äºº)ï¼ãã£ã¬ã³tsigane(tzigane)ã¨ãå¼ã¶ãï¼å¾èã¯ãã¤ãèªã®ãã£ã´ã¤ãã«Zigeunerï¼ã¤ã¿ãªã¢èªã®ãã£ã³ã¬ãzingaroãªã©ã¨åããï¼æã®ãªã·ã¢ã§ã¸ãã·ã¼ãã¢ãã£ã³ã¬ã(ãç°æå¾ãã®æ)ã¨å¼ã°ãã¦ãããã¨ã«ç±æ¥ãããã¾ãï¼ãã©ã³ã¹ã§ã¯ï¼ã¸ãã·ã¼ãèªåãã¡ã®ãã¨ãè·æ¥ãå°åãªã©ã«ãã£ã¦ï¼ã«ã«ãã©ã·ã¥ï¼ã¸ã¿ã³ï¼ããã¼ã·ã¥ã¨ä¸ã¤ã«åãï¼ãã¤ãã§ã¯ï¼ã¸ã³ãã¨ããã®äºã¤ã«åãã¦ããã &NewLine;ä¸çå¤§ç¾ç§äºå¸åã®ãã£ã³ã¬ãã®è¨åãã</blockquote>&NewLine;ã¤ã¾ããZINGARO(ãã£ã³ã¬ã)ã¨ã¯ãã¸ãã·ã¼ã®ãã¨ã§ãåããã¸ãã·ã¼ã¨ã¯ã¨ã¸ããã®æ¹ããæ¥ãäººã¨ããæå³ã ã£ãããã§ãã&NewLine;ãã¦ãã²ãããªãã¨ããå°¾æ± äºç¾ããã®ãZINGARO&excl;&excl;&excl;ããè´ããã®ã§ãããããããªãã¨é¢ç½ãæ¥½ãããæ¹ãè¾¼ã¾ãããã¨ãï¼&NewLine;ãªããå°¾æ± äºç¾ããã«é¢ãã¦ã¯ãã²å¬å¼ãµã¤ãã§ãç¢ºèªãã ãããï¼ï¼ï¼ã<a href="https&colon;//amioike&period;art/" target="&lowbar;blank" rel="noopener">https&colon;//amioike&period;art/</a>&NewLine;å½¼å¥³ã®ç¬é¡ããã¹ãã¬ã¼ãã«ãã®äººæãä¼ãã£ã¦æ¥ããã§ãã&NewLine;ãã£ãºãã§ãã¡ã³ã«ãªã£ã¦ãã¾ãã¾ããã&NewLine;<&excl;--more-->&NewLine;<h2>å°¾æ± äºç¾ Ensemble FOVE ZINGARO&excl;&excl;&excl;</h2>&NewLine;åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh &NewLine;1&period;(00&colon;32) Lo Zingaro&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&NewLine;ãããã»ãã»ãµã©ãµã¼ã &&num;8211&semi; Pablo de Sarasate (1844-1908) &NewLine;ãã£ã´ã¤ãã«ã¯ã¤ã¼ã³ &NewLine;2&period;(06&colon;11) Zigeunerweisen, Op&period; 20 (arr&period; Y&period; Bandoh for violin and chamber ensemble) &NewLine;ç·¨æ² &colon; åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;-&NewLine;ä¼æ¿ &&num;8211&semi; Traditional &NewLine;Les yeux noirs &NewLine;3&period;(04&colon;14) Les yeux noirs (Dark Eyes) (arr&period; Y&period; Bandoh for violin and chamber ensemble) &NewLine;ç·¨æ² &colon; åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&NewLine;ã¢ã¼ãªã¹ã»ã©ã´ã§ã« &&num;8211&semi; Maurice Ravel (1875-1937) &NewLine;ãã£ã¬ã¼ã part 1 &NewLine;4&period;(04&colon;16) Tzigane (arr&period; Y&period; Bandoh for violin) &NewLine;ç·¨æ² &colon; åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ãã£ã¬ã¼ã part 2 (Ensemble FOVE Edition) &NewLine;5&period;(06&colon;00) Tzigane (arr&period; Y&period; Bandoh for violin and chamber ensemble) &NewLine;ç·¨æ² &colon; åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ã´ã£ãããªãªã»ã¢ã³ãã£ &&num;8211&semi; Vittorio Monti (1868-1922) &NewLine;ãã£ã¼ã«ãã¼ã·ã¥ (Reiwa Era Radio Mix) &NewLine;6&period;(03&colon;26) Csardas (Reiwa Era Radio Mix) (arr&period; Y&period; Bandoh for violin and chamber ensemble) &NewLine;ç·¨æ² &colon; åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&NewLine;ã¯ãã¼ãã»ããã¥ãã·ã¼ &&num;8211&semi; Claude Debussy (1862-1918) &NewLine;ã¬ã³ãããéã &NewLine;7&period;(03&colon;57) La plus que lente (arr&period; L&period; Roques for violin and piano) &NewLine;ç·¨æ² &colon; ã¬ãªã³ã»ãã± &&num;8211&semi; Leon Roques &NewLine;åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh (ãã¢ã)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;-&NewLine;ãã¼ã©ã»ãã«ãã¼ã¯ &&num;8211&semi; Bela Bartok (1881-1945) &NewLine;44ã®äºéå¥æ² BB 104, Vol&period; 1 &&num;8211&semi; ç¬¬4çª ã¯ã©ãã¢ã®è¸ãï¼ã´ã¡ã¤ãªãªã³ã¨ã´ã£ãªã©ç·¨ï¼ &NewLine;8&period;(00&colon;45) 44 Duos for 2 Violins, BB 104, Vol&period; 1&colon; No&period; 40&period; Walachian Dance (arr&period; for violin and viola) &NewLine;ç·¨æ² &colon; ä¸è©³ &&num;8211&semi; Anonymous&NewLine;å±æ¼ &NewLine;å®éçç &&num;8211&semi; Mari Adachi (ã´ã£ãªã©)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;-&NewLine;ã¨ããã¹ã»ãã©ã¼ã ã¹ &&num;8211&semi; Johannes Brahms (1833-1897) &NewLine;Hungarian Dance &NewLine;9&period;(05&colon;40) 21 Hungarian Dances, WoO 1 (arr&period; Y&period; Bandoh for violin and chamber ensemble) &NewLine;ç·¨æ² &colon; åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;-&NewLine;ãã¼ã©ã»ãã«ãã¼ã¯ &&num;8211&semi; Bela Bartok (1881-1945) &NewLine;ã«ã¼ããã¢æ°ä¿èæ² BB 68 &&num;8211&semi; ç¬¬3çª è¶³è¸ã¿è¸ã &NewLine;10&period;(01&colon;17) Roman nepi tancok (Romanian Folk Dances), BB 76&colon; No&period; 3&period; Pe loc (In One Spot) (arr&period; Y&period; Bandoh for violin, oboe and chamber ensemble) &NewLine;ç·¨æ² &colon; åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh&NewLine;å±æ¼ &NewLine;èæ¨å¥ç¾ &&num;8211&semi; Kanami Araki (ãªã¼ãã¨)&NewLine;<&excl;-- WP QUADS Content Ad Plugin v&period; 3&period;0&period;1 -->&NewLine;<div class="quads-location quads-ad1" id="quads-ad1" style="float&colon;none&semi;margin&colon;10px&semi;">&NewLine;&NewLine;</div>&NewLine;&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&NewLine;ã°ãªã´ã©ã¹ã»ãã£ãã¼ã¯ &&num;8211&semi; Grigoras Dinicu (1889-1949) &NewLine;Hora Martisorului / Little March Hora &NewLine;11&period;(01&colon;59) Hora martisorului / Little March Hora (arr&period; Y&period; Bandoh for violin, flute and chamber ensemble) &NewLine;ç·¨æ² &colon; åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh&NewLine;å±æ¼ &NewLine;å¤ä¹æ½¤ä¸æ &&num;8211&semi; Jun-Ichiro Taku (ãã«ã¼ã)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ã¢ã³ããã³ã»ãã´ã©ã«ã¶ã¼ã¯ &&num;8211&semi; Antonin Dvo&quest;ak (1841-1904) &NewLine;æ¯ãæãçµ¦ããæ &NewLine;12&period;(03&colon;16) Zigeunermelodien, Op&period; 55, B&period; 104&colon; No&period; 4&period; Als die alte Mutter (Songs my Mother Taught Me) (arr&period; Y&period; Bandoh for violin and harp) &NewLine;ç·¨æ² &colon; åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh&NewLine;å±æ¼ &NewLine;æ¯å±±æ¢¨ä¹ &&num;8211&semi; Rino Kageyama (ãã¼ã)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&NewLine;åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh &NewLine;Bird watching at the studio &NewLine;13&period;(00&colon;53) Bird Watching at the Studio&NewLine;å±æ¼ &NewLine;å¤ä¹æ½¤ä¸æ &&num;8211&semi; Jun-Ichiro Taku (ãã«ã¼ã) &NewLine;ä¸éèå¹³ &&num;8211&semi; Kohei Ueno (ãµã¯ã½ãã©ã³) &NewLine;ä¸å·ããé·¹ &&num;8211&semi; Hidetaka Nakagawa (ãã¡ã´ãã)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;-&NewLine;ã°ãªã´ã©ã¹ã»ãã£ãã¼ã¯ &&num;8211&semi; Grigora&quest; Dinicu (1889-1949) &NewLine;ã²ã°ã &NewLine;14&period;(05&colon;03) Lark / Ciocarlia / Hibari (arr&period; Y&period; Bandoh for violin and chamber ensemble) &NewLine;ç·¨æ² &colon; åæ±ç¥å¤§ &&num;8211&semi; Yuta Bandoh&NewLine;æ¼å¥ï¼ &NewLine;å°¾æ± äºç¾ &&num;8211&semi; Ami Oike (ã´ã¡ã¤ãªãªã³) &NewLine;Ensemble FOVE &&num;8211&semi; Ensemble FOVE &NewLine;é²é³&colon; Battle Cry Sound, Dutch Mama Studio, Endhits, MR, Dede, B&amp&semi;O Studio, Japan&NewLine;<a href="//ck&period;jp&period;ap&period;valuecommerce&period;com/servlet/referral&quest;sid=3030706&amp&semi;pid=885238632&amp&semi;vc&lowbar;url=https&percnt;3A&percnt;2F&percnt;2Ftower&period;jp&percnt;2Fitem&percnt;2F4982608&percnt;2F" rel="nofollow"><img src="//ad&period;jp&period;ap&period;valuecommerce&period;com/servlet/gifbanner&quest;sid=3030706&amp&semi;pid=885238632" width="0" height="1" border="0" /><img src="https&colon;//cdn&period;tower&period;jp/za/o/0W/zaP2&lowbar;G2967690W&period;JPG" width="300" height="300" border="0" /></a>&NewLine;<a href="//ck&period;jp&period;ap&period;valuecommerce&period;com/servlet/referral&quest;sid=3030706&amp&semi;pid=885238632&amp&semi;vc&lowbar;url=https&percnt;3A&percnt;2F&percnt;2Ftower&period;jp&percnt;2Fitem&percnt;2F4982608&percnt;2F" rel="nofollow"><img src="//ad&period;jp&period;ap&period;valuecommerce&period;com/servlet/gifbanner&quest;sid=3030706&amp&semi;pid=885238632" width="0" height="1" border="0" />ZINGARO&excl;&excl;&excl; ï¼å°¾æ± äºç¾ï¼Ensemble FOVEï¼</a>&NewLine;<blockquote>ãããªã®ãååã &excl;&excl; &NewLine;ãã³ãã§ã¹ã¿ã¼å½éã³ã³ã¯ã¼ã«ãæ¥æ¬é³æ¥½ã³ã³ã¯ã¼ã«ã®è¦èã»å°¾æ± äºç¾ã¨ &NewLine;è¶äººéå£Ensemble FOVEããã£ã³ã¬ãã»ãã¥ã¼ã¸ãã¯ã§å¤§æ´ã&excl; &NewLine;ç±³æ´¥çå¸«&&num;8221&semi;æµ·ã®å¹½é&&num;8221&semi;,&&num;8221&semi;ã¦ã¼ãª&excl;&excl;&excl; on ICE&&num;8221&semi;å±æ¼ã®æ°ä¸ä»£æ°éã¯ã©ã·ãã¯éå£Ensemble FOVEã &NewLine;æ°ã¬ã¼ãã«FOVE RECORDSè¨ç«&amp&semi;ç¬¬1å¼¾CDã¢ã«ãã ã»ãªãªã¼ã¹æ±ºå®&excl;&excl;&excl;&NewLine;æ°é²æ°éã®ã¯ã©ã·ãã¯æ¼å¥å®¶ã«ãã£ã¦çµæãããæ¬¡ä¸ä»£åã¢ã³ãµã³ãã«Ensemble FOVE(ã¢ã³ãµã³ãã«ã»ãã©ã¼ã´)ã¯ããã®ãã³èªä¸»ã¬ã¼ãã«ãFOVE RECORDSã(ãã©ã¼ã´ã»ã¬ã³ã¼ãº)ãç«ã¡ä¸ãããã®è¨å¿µãã¹ãç¬¬1å¼¾ä½åã¨ãã¦ãã´ã¡ã¤ãªãªã³ã»å°¾æ± äºç¾(ãããã»ãã¿)ãå¨ç·¨ã«ããã£ã¦ã½ãªã¹ããåããã¢ã«ãã ãZINGARO&excl;&excl;&excl;ã(ãã£ã³ã¬ã)ããªãªã¼ã¹ããã &NewLine;å°¾æ± äºç¾ã¯ã2009å¹´ã«å½åæå¤§ã®ã³ã³ã¯ã¼ã«ã§ãããæ¥æ¬é³æ¥½ã³ã³ã¯ã¼ã«ãã«ã¦ã½ãªã¹ãã¨ãã¦1ä½ãç²å¾ãã¦ä»¥æ¥ãå½åã®ä¸»è¦ãªã¼ã±ã¹ãã©ã¨ã®æ°ãã®å±æ¼ããå®¤åæ¥½ã®åéã§ãç²¾åçã«æ´»èºããã´ã¡ã¤ãªãªãã¹ãã &NewLine;ã¬ã¼ãã«ç¬¬1å¼¾ã§ããæ¬ä½ã¯ãEnsemble FOVEã³ã¢ã¡ã³ãã¼ã§ãããå½¼å¥³ã«ã¹ããããå½ã¦ãã¢ã«ãã ã§ããããZingaro(ã¤ã¿ãªã¢èª)=ããæ°æãã¸ãã·ã¼ãã®é³æ¥½ããã¼ãã¨ããæ¸æ°ãªã©ã¤ã³ããããåé²ããã¦ããã &NewLine;å°¾æ± ã¨Ensemble FOVEã¯ãããé³æ¥½ãããã«ã¤ã³ã¹ãã¤ã¢ããä½æ²ããã&&num;8221&semi;ãã£ã¼ã«ãã¼ã·ã¥&&num;8221&semi; &&num;8220&semi;ãã£ã´ã¤ãã«ã¯ã¤ã¼ã³&&num;8221&semi;ãã¯ããã¨ããã¯ã©ã·ãã¯é³æ¥½ããé¸æ²ãè¡ãã21ä¸ç´ã®ç¾ä»£ã«éç¨ãããã¬ãã·ã¥ã§å¤§èãªã¢ãããã¼ããæ½ããã &NewLine;å¤§ããªã¹ãã¼ãªã¼ã®ãããªã¢ã«ãã æ§æ³ã¨ãæ¼å¥å®¶ã¨å¶ä½ãã¼ã ã¨ã®æ¿å¯ãªã³ãã¥ãã±ã¼ã·ã§ã³ãéãã¦ã1æã®ã¢ã«ãã ã«å§åçãªä¸çè¦³ãè¡¨ç¾ããã¦ããã</blockquote>&NewLine;<script async src="https&colon;//pagead2&period;googlesyndication&period;com/pagead/js/adsbygoogle&period;js&quest;client=ca-pub-4412132288938873" crossorigin="anonymous"></script> &NewLine;<ins class="adsbygoogle" style="display&colon; block&semi;" data-ad-format="autorelaxed" data-ad-client="ca-pub-4412132288938873" data-ad-slot="3738984553"></ins> &NewLine;<script>&NewLine; (adsbygoogle = window&period;adsbygoogle || [])&period;push({})&semi;&NewLine;</script>&NewLine;<&excl;-- WP QUADS Content Ad Plugin v&period; 3&period;0&period;1 -->&NewLine;<div class="quads-location quads-ad2" id="quads-ad2" style="float&colon;none&semi;margin&colon;10px&semi;">&NewLine;&NewLine;</div>&NewLine;&NewLine;