ケンペ名盤リヒャルト・シュトラウス管弦楽曲全集

ともやん

5年前

ããã«ã¡ã¯ã &NewLine;ã¨ãããã§ãã&NewLine;ç¾å¨ãã¿ã¯ã¼ã¬ã³ã¼ãã§ã¯ãæ°ééå®ã§ã¯ã¼ãã¼ã¯ã©ã·ãã¯ã¹ã®ããã¯ã¹ã»ããã®ã»ã¼ã«ãè¡ã£ã¦ãã¾ãã&NewLine;ã©ããè¶ãå¾ãªä¾¡æ ¼ã§åºã¦ããã®ã§çµ¶å¯¾ã®ããããã§ãã&NewLine;ãã®ä¸ã§ãã«ãã«ãã»ã±ã³ãææ®ã·ã¥ã¿ã¼ãã«ãã¬ã»ãã¬ã¹ãã³ã«ããããªãã£ã«ãã»ã·ã¥ãã©ã¦ã¹ç®¡å¼¦æ¥½æ²å¨éã¯ãè¶ããããã§ãã&NewLine;åæ¼ã®åç¤ã¨èªãé«ããã±ã³ãã®ï¼²ã»ã·ã¥ãã©ã¦ã¹ï¼£ï¼¤9æã»ãããããªãã¨1,390å¹´ã§è³¼å¥ã§ããã®ã§ããã®æ©ä¼ãè¦éããªãã§ãã ãããã&NewLine;<&excl;--more-->&NewLine;<h2>ã±ã³ãã®åç¤ ãªãã£ã«ãã»ã·ã¥ãã©ã¦ã¹ç®¡å¼¦æ¥½æ²å¨é</h2>&NewLine;ãã¤ãã®åææ®èã«ãã«ãã»ã±ã³ã(1910-1976)ã¯ãä»å¹´ãæ²¡å¾45å¹´ã &NewLine;ãã®ã«ã©ã¤ã³ã¨åä¸ä»£ãªããæ´¾æãã¯ãªãããå å®ã§åå®ããæ¼å¥ã¯ãå¤ãã®ãã¡ã³ã®å¿ãæ´ãã ææ®èã ã¨æãã&NewLine;ãã ããã¾ãä½ãä¸å¤«ãªæ¹ã§ã¯ãªãã£ãããã§ãå¤å¿ãªä¸åã65æ³ã§äº¡ããªã£ã¦ããã®ã¯æ¬å½ã«æããã¨æãã¾ãã&NewLine;ãããæ®ãããé²é³ã§ã¯ããã¥ã³ãã³ãã£ã«ã¨ã®ãã¼ãã¼ã´ã§ã³ããã©ã¼ã ã¹ã®äº¤é¿æ²å¨éãã·ã¥ã¿ã¼ãã«ãã¬ã»ãã¬ã¹ãã³ã¨ã®ãªãã£ã«ãã»ã·ã¥ãã©ã¦ã¹ç®¡å¼¦æ¥½æ²å¨éã¯ãæ°¸é ã®åç¤ã ã¨æãã&NewLine;ï¼²ã»ã·ã¥ãã©ã¦ã¹ã®ç®¡å¼¦æ¥½æ²å¨éã¯ãåå¥æ²ãå«ãå¨ç®¡å¼¦æ¥½æ²ãï¼£ï¼¤9æã«åé²ããã¦ãã¦è´ããã¨ãã§ãã¾ãã &NewLine;ä½æ²å®¶ã¨ç¸ã®æ·±ãã£ããªã¼ã±ã¹ãã©ã¨ã±ã³ãã®åªãããã©ã³ã¹æè¦ãã©ã®æ²ã§ãå®å®ããããããè¡¨ç¾åã«å¯ãã æ¼å¥ãçã¿åºãã¦ãã¾ãã&NewLine;ãã²ããããã®åæ¼ã«è³ãå¾ãã¦ã»ããã§ãã&NewLine;&NewLine;<&excl;-- WP QUADS Content Ad Plugin v&period; 2&period;0&period;98&period;1 -->&NewLine;<div class="quads-location quads-ad1" id="quads-ad1" style="float&colon;none&semi;margin&colon;10px&semi;">&NewLine;&NewLine;</div>&NewLine;&NewLine;<h2>R&period; ã·ã¥ãã©ã¦ã¹ ç®¡å¼¦æ¥½ä½åå¨é ã·ã¥ã¿ã¼ãã«ãã¬ã»ãã¬ã¹ãã³ï¼ã«ãã«ãã»ã±ã³ã</h2>&NewLine;æ¼å¥ã¯ãå¨ã¦ã«ãã«ãã»ã±ã³ãææ®ã·ã¥ã¿ã¼ãã«ãã¬ã»ãã¬ã¹ãã³ãä»¥ä¸åé²æ²ã¨ã½ãªã¹ãããæ¡åãã¾ãã&NewLine;ãªãã£ã«ãã»ã·ã¥ãã©ã¦ã¹ &&num;8211&semi; Richard Strauss (1864-1949) &NewLine;äº¤é¿è©©ããã¡ã©ãã¥ã¹ãã©ã¯ããèªããã Op&period; 30, TrV 176 &NewLine;1-4&period;(33&colon;11) Also sprach Zarathustra, Op&period; 30, TrV 176&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;äº¤é¿è©©ãæ»ã¨å¤å®¹ã Op&period; 24, TrV 158 &NewLine;5&period;(22&colon;29) Tod und Verklarung (Death and Transfiguration), Op&period; 24, TrV 158&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;æåãã°ãã®é¨å£«ãçµæ² Op&period; 59, TrV 227 &&num;8211&semi; ã¯ã«ã &NewLine;6&period;(17&colon;53) Der Rosenkavalier Suite, Op&period; 59, TrV 227&colon; Waltzes&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;æåãã«ããªããã§ã Op&period; 85, TrV 279c &&num;8211&semi; éå¥æ²ï¼æåã®é³æ¥½ï¼ &NewLine;7&period;(03&colon;28) Capriccio, Op&period; 85, TrV 279&colon; Intermezzo (Moonlight Music)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;äº¤é¿è©©ããã£ã«ã»ãªã¤ã¬ã³ã·ã¥ãã¼ã²ã«ã®æå¿«ãªããããã Op&period; 28, TrV 171 &NewLine;8&period;(14&colon;51)Till Eulenspiegels lustige Streiche (Till Eulenspiegel&&num;8217&semi;s Merry Pranks), Op&period; 28, TrV 171&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;äº¤é¿è©©ããã³ã»ãã¡ã³ã Op&period; 20, TrV 156 &NewLine;9&period;(16&colon;15)Don Juan, Op&period; 20, TrV 156&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;äº¤é¿è©©ãè±éã®çæ¶¯ã Op&period; 40, TrV 190 &NewLine;10-18&period;(44&colon;08) Ein Heldenleben (A Hero&&num;8217&semi;s Life), Op&period; 40, TrV 190&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ã¡ã¿ã¢ã«ãã©ã¼ã¼ã³ï¼23ã®ç¬å¥å¼¦æ¥½å¨ã®ããã®ç¿ä½ï¼ TrV 290 &NewLine;19&period;(25&colon;20) Metamorphosen, TrV 290&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ã¢ã«ãã¹äº¤é¿æ² Op&period; 64 TrV 233 &NewLine;20-41&period;(49&colon;34) Eine Alpensinfonie (An Alpine Symphony), Op&period; 64, TrV 233&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;äº¤é¿è©©ããã³ã»ããã¼ãã Op&period; 35, TrV 184 &NewLine;42-55&period;(40&colon;57) Don Quixote, Op&period; 35, TrV 184 &NewLine;ããã¯ã¹ã»ãã¹ã¿ã« &&num;8211&semi; Max Rostal (ã´ã£ãªã©) &NewLine;ãã¼ã«ã»ãã«ãã¥ãªã¨ &&num;8211&semi; Paul Tortelier (ãã§ã)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ãã©ã³ã½ã¯ã»ã¯ã¼ãã©ã³ã®ã¯ã©ã´ãµã³æ²ã«ããèè¸çµæ² TrV 245 &NewLine;56-63&period;(28&colon;41) Tanzsuite nach Klavierstucken von Francois Couperin, TrV 245&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;äº¤é¿çå¹»æ³æ²ãã¤ã¿ãªã¢ããã Op&period; 16, TrV 147 &NewLine;64-67&period;(43&colon;02) Aus Italien, Op&period; 16, TrV 147&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;äº¤é¿è©©ããã¯ãã¹ã Op&period; 23, TrV 163 &NewLine;68&period;(19&colon;38) Macbeth, Op&period; 23, TrV 163&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;æ¥½åããµãã¡ã Op&period; 54, TrV 215 &&num;8211&semi; 7ã¤ã®ã´ã§ã¼ã«ã®è¸ã &NewLine;69&period;(08&colon;31) Salome, Op&period; 54, TrV 215&colon; Dance of the Seven Veils&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;çµæ²ãçºäººè²´æã Op&period; 60, TrV 228c &NewLine;70-78&period;(33&colon;41) Le Bourgeois Gentilhomme (Der Burger als Edelmann) Suite, Op&period; 60, TrV 228c&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ãã¬ã¨é³æ¥½ããã¤ããã»ã¯ãªã¼ã ã Op&period; 70, TrV 243 &&num;8211&semi; ç¬¬1å¹ ã¯ã«ã &NewLine;79&period;(07&colon;27) Schlagobers, Op&period; 70, TrV 243, Act I&colon; Walzer&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ãã¬ã¨é³æ¥½ãã¨ã¼ãä¼èª¬ã Op&period; 63, TrV 231 &NewLine;80&period;(25&colon;37) Josephslegende, Op&period; 63, TrV 231&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ã´ã¡ã¤ãªãªã³åå¥æ² ãçèª¿ Op&period; 8, TrV 110 &NewLine;81-83&period;(29&colon;50) Violin Concerto in D Minor, Op&period; 8, TrV 110 &NewLine;ã¦ã«ãã»ãã«ã·ã£ã¼ &&num;8211&semi; Ulf Hoelscher (ã´ã¡ã¤ãªãªã³)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;å®¶åºäº¤é¿æ² Op&period; 53, TrV 209 &NewLine;84-88&period;(44&colon;02) Symphonia domestica, Op&period; 53, TrV 209&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ãã«ã³åå¥æ²ç¬¬1çª å¤ãé·èª¿ Op&period; 11, TrV 117 &NewLine;89-91&period;(17&colon;12) Horn Concerto No&period; 1 in E-Flat Major, Op&period; 11, TrV 117 &NewLine;ãã¼ã¿ã¼ã»ãã &&num;8211&semi; Peter Damm (ãã«ã³)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ãã«ã³åå¥æ²ç¬¬2çª å¤ãé·èª¿ TrV 283 &NewLine;92-94&period;(19&colon;31) Horn Concerto No&period; 2 in E-Flat Major, TrV 283 &NewLine;ãã¼ã¿ã¼ã»ãã &&num;8211&semi; Peter Damm (ãã«ã³)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ãªã¼ãã¨åå¥æ² ãé·èª¿ &NewLine;95-97&period;(24&colon;01) Oboe Concerto in D Major &NewLine;ãã³ãã¬ã¼ãã»ã¯ã¬ã¡ã³ã &&num;8211&semi; Manfred Clement (ãªã¼ãã¨)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;äºéã³ã³ãã§ã«ãã£ã¼ã TrV 293 ï¼æç²ï¼ &NewLine;98-100&period;(18&colon;09)Duett-Concertino, TrV 293 (excerpts)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ãã«ã¬ã¹ã± ãçèª¿ TrV 145 &NewLine;101&period;(19&colon;54) Burleske in D Minor, TrV 145 &NewLine;ãã«ã³ã ã»ãã¬ã¤ã¸ã£ã¼ &&num;8211&semi; Malcolm Frager (ãã¢ã)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;å®¶åºäº¤é¿æ²ä½é² Op&period; 73, TrV 209a &NewLine;102&period;(21&colon;43) Parergon zur Symphonia Domestica, Op&period; 73, TrV 209a &NewLine;ãã¼ã¿ã¼ã»ã¬ã¼ã¼ã« &&num;8211&semi; Peter Rosel (ãã¢ã)&NewLine;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8212&semi;&&num;8211&semi;&NewLine;ãã³ã¢ããã®å¤§ç¥ Op&period; 74, TrV 254 &NewLine;103&period;(27&colon;53) Panathenaenzug, Op&period; 74, TrV 254, &&num;8220&semi;Symphonische Etuden in Form einer Passacaglia&&num;8221&semi; &NewLine;ãã¼ã¿ã¼ã»ã¬ã¼ã¼ã« &&num;8211&semi; Peter Rosel (ãã¢ã)&NewLine;æ¼å¥ &NewLine;ã·ã¥ã¿ã¼ãã«ãã¬ã»ãã¬ã¹ãã³ &&num;8211&semi; Dresden Staatskapelle &NewLine;ã«ãã«ãã»ã±ã³ã &&num;8211&semi; Rudolf Kempe (ææ®)&NewLine;<a href="//ck&period;jp&period;ap&period;valuecommerce&period;com/servlet/referral&quest;sid=3030706&amp&semi;pid=885238632&amp&semi;vc&lowbar;url=https&percnt;3A&percnt;2F&percnt;2Ftower&period;jp&percnt;2Fitem&percnt;2F4855715&percnt;2F&percnt;3Fkid&percnt;3Dpafvc" target="&lowbar;blank" rel="noopener"><img src="//ad&period;jp&period;ap&period;valuecommerce&period;com/servlet/gifbanner&quest;sid=3030706&amp&semi;pid=885238632" width="0" height="1" border="0" /><img src="https&colon;//cdn&period;tower&period;jp/za/o/11/190295542511&period;jpg" width="300" height="300" border="0" /></a>&NewLine;<a href="//ck&period;jp&period;ap&period;valuecommerce&period;com/servlet/referral&quest;sid=3030706&amp&semi;pid=885238632&amp&semi;vc&lowbar;url=https&percnt;3A&percnt;2F&percnt;2Ftower&period;jp&percnt;2Fitem&percnt;2F4855715&percnt;2F&percnt;3Fkid&percnt;3Dpafvc" target="&lowbar;blank" rel="noopener"><img src="//ad&period;jp&period;ap&period;valuecommerce&period;com/servlet/gifbanner&quest;sid=3030706&amp&semi;pid=885238632" width="0" height="1" border="0" />R&period; 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